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Showing posts with label Plesha's Picks. Show all posts
Showing posts with label Plesha's Picks. Show all posts

Monday, January 5, 2009

Plesha’s Pick 2: Understanding Exposure

I remember a time when I was starting out in digital photography where I was trying to understand what photographers meant when they said the word “exposure.”  The today’s digital cameras make things a bit easier for photographers than the film cameras.  They allow us to experiment with photography without adding the substantial cost of developing film. 

Even though there have been many advances in today digital cameras, a camera still is basically a “box with a hole, a shutter mechanism,  and some sort of sensor that allows us to capture an image.” 

You will hear the term “stop” in referring to exposure.  I typically use this term as relative term.  Moving up or down a stop in a particular setting means that the setting will allow 2 times the amount of light or 1/2 amount of light for the exposure respectively.

Some people may call the following three parts of the camera the holy trinity of photography:

  • Aperture(“hole”) -  This reflects the size of the hole of the lens that determines the amount of light allowed into the camera and affects the depth of field(“focus”) in the image.   Aperture is measured in F-stops.  The higher the F-stop number the smaller the hole and greater the depth of field.  For example,  F-5.6 aperture setting allows  2 times the amount of light into the camera than the one stop higher F-8.0 aperture setting  and has a lesser depth of field.  By the same token, F-8.0 aperture setting allows 1/2 the amount of  light into the camera than f-5.6 aperture setting but has a greater depth of field.  In essence, opening up the lens one stop of light(lower F-Stop number) allows twice as much light into the camera and decreases the depth of field.  Closing the lens one stop of light(higher F-Stop)  reduces the amount of light into the camera by  one-half and increase the depth of field.
  • Shutter speed -   This determines how fast the shutter opens and closes to allow the light from the hole(Aperture) to hit the sensor that creates the image.  This setting can affect whether you freeze the action in an image  to allow some or all of the image to be blurry.  Doubling the shutter speed reduces the amount of light hitting the sensor by 1/2 the amount of light.  Slowing the shutter speed by one half increases the amount of light hitting the sensor  by 2 times.  For example, changing the shutter speed from 1/125 to 1/250 reduces the amount of light to the sensor by 1/2(1 stop).  Changing the shutter speed from 1/125 to 1/60 will allow twice the amount of the light to the sensor(1 stop).
  • Sensor(ISO) setting  -  This determines how sensitive the sensor is to the light hitting it.  For example,   a  ISO 200 setting is 2 times(1 stop)  as sensitive to the incoming light as a ISO 100 setting.  a  ISO 400 setting is 2 times as sensitive to the incoming light as a ISO 200 setting and  4 times as sensitive(2 stops) as an ISO 100 setting.   Higher ISO settings allow us to work in lower light situation where minimal light is hitting the sensor. This can come with the price of high noise in the digital image.  

Exposure is combination of all the above.  Adjusting one of the settings does affect at least one of the other settings in a typical situation.  The following are just examples to show the relationships of the above three items.  They also assume that the camera’s built light meter is metering the scene correctly.

Fixed ISO example:

Let’s assume for example that we set the camera to the ISO 100(really could be any ISO setting).  Our plan is not to change this setting.  We frame a portrait of something and use  digital camera’s program exposure setting.  The camera’s  built-in light meter will help us determine the proper aperture and shutter speed settings.  In this case, the program mode set camera’s aperture to  F-8.0 with a shutter speed of  1/250.  We take the picture.

The overall image look good and it is not too dark(under exposed) or too light(over exposed).  We decide that we would like the background of the photo to be more blurry(out of the focus).  So we want a lesser depth of field for the image than the camera has suggested for us.  We also want to ensure that we keep the same over all exposure of the image(light hitting the sensor).   After switching the camera to manual exposure mode, we can increase the aperture by one stop by changing the F-stop from F-8.0 to F-5.6.   This change will allow twice as much light into the camera and reduce the depth of field to give us a more blurred background.  

Since we increased the amount of light hitting the sensor with this change, we run the risk of over exposing the image. We need to adjust the shutter speed to offset the increase in light.  So we would then increase the shutter speed from 1/250 to 1/500 which would allow 1/2 the amount of light hitting the sensor.  

So in this example,   the F-8.0/ 1/250 and 5.6/ 1/500 settings allow the same amount of light to the sensor which produces the final exposure.  If we wanted to have more depth of field than the original image, we could have also have chosen to change the F-stop to F-11..o (close down a stop from f-8.0- 1/2 the amount of light) and decreased the shutter speed to 1/125(twice the amount of light from 1/250)  .  The amount of light hitting the sensor would be the same in all three cases. There is a relationship between the shutter speed and the aperture as far the amount of light that hits the sensor.   We could continue to play with various aperture/shutter speed combinations like F16.c/ 1/160 and f-4.0/1/1000 etc.. 

Fixed Aperture example:

Let’s assume we had a similar scenario as above in a lower light situation.  We set the ISO to 100 and the program setting  set the camera’s  aperture to F-5.6 and a shutter speed of 1/30.  We are taking a family portrait in this case and are concerned that any movement of the family members will result in a blurred image.  Looking at the suggested shutter speed, this definitely could be the case. 

We take our first photo. We definitely like the depth of field and the overall exposure of the image but noticed some blurring around the children’s arm were they moved when the photo was taken.  Since we can not keep the subjects from moving, we need to have a faster shutter speed to “freeze” the action.  We like everything else about the image.  

So, let’s change the shutter speed to 1/125 in an attempt to freeze any slight movement in our portrait.  We could  go to manual mode and set the camera to the following: aperture f 5.6 , shutter 1/125, and ISO 100.  The change in shutter speed reduce the amount of light hitting the sensor by two stops( 1/30 to 1/60 – 1 stop and 1/60 to 1/125 additional stop) . 

Since we like the depth of field, we do not want to adjust the aperture in this case.  We could then change the ISO setting from  ISO 100 to ISO 400( ISO 100 to ISO 200 increase 1 stop of light sensitivity and ISO 200 to ISO 400 another stop of light sensitivity)  to offset the reduction in light caused by the increase in the shutter speed.   So  ISO 100/ aperture 5.6 / shutter 1/30  equals ISO 400/ aperture 5.6 / shutter 1/125 as far as the exposure goes.

 

Fixed Shutter speed example:

Assume we are taking pictures of a neighbor basketball game.  We again set the ISO to 400 on the camera. We decide that we will start by using our shutter priority mode of the camera and set the shutter speed to 1/500 to freeze  the action on the court. The camera sets the aperture to F-11.0.  This aperture provides us with a fairly deep depth of field where all the players are coming into focus.  We take the picture and find that we did freeze the action and are happy with the overall exposure of the image.   We would like to focus on a particular player on the court and make the other players less in focus. 

In order to accomplish this, we decide to change the aperture  from F-11.0 to F-5.6 (opening up two stops – 4 times as much light to sensor).  Now. we need to offset this increase in light to the sensor to keep our nice original exposure.  Since we do not want to change the shutter speed that is effectively freezing the action, we decide to adjust the ISO speed to ISO 100. This reduces the sensor sensitivity 2 stops(4 times less sensitive).  So ISO 400/aperture f-11.0/ shutter 1/500 equals  ISO 100/aperture f-5.6/ shutter 1/500  as far as exposure goes.

The main points to remember is that these settings are all interrelated when making an image(exposure).  It is up to us as photographers to creatively choose these settings to produce the desired results we want in our images.

One of the most valuable resources, that assisted me to kick starting my understanding of exposure is the Understanding Exposure book by Bryan Peterson.   I strongly recommend it to those that are trying to take their photography to the next level  beyond the automatic exposure modes of their camera.   He thoroughly explains these settings and also provides a guide  on when to use certain values to achieve the results that you are looking for.

Friday, January 2, 2009

Plesha’s Pick 1: Sweet Life Photo and Pixel Dust Blog

It is the new year and time for my first Plesha Pick

Over time  I have come to realize that running a photography business forces me to wear several different hats in order to build  my success:

  • “Business man” hat – pricing, cost-benefit analysis, marketing, customer service
  • “Creative/Artistic” hat
  • “Technical” hat  - equipment, software, web site

These hats represent a different point of view of the same thing which is my photography business model and mission.   Since these perspectives are not entirely autonomous, it is important to consider all of them as  I  progress my business.   They are not stagnant but rather they evolve over time as I continue to grow.   When making decisions regarding Triangle Photo Studio ,  I need to make sure that I put on each of these hats to ensure that the particular decision is a good one.

For example, recently I have been interested in getting the new Canon EOS 5d Mark II for my business.

First, I put on my  “technical hat”: 

Man, this thing is cool.  It has a 21.1 megapixel Full frame sensor. It can generate 1080P HD video. It has the latest technology for high ISO noise reduction and would allow me to use ISO settings up to 25,600 for low light situations. This could reduce the amount/use of gear needed for my on location shoots like speedlights in low light situations.  My current Canon 40D has a cropped sensor, can shoot up 10.1 megapixels, and has ISO speeds up to 3200.

Second, I put on my “creative hat”: 

The full frame sensor will allow me to take full advantage of Canon L lenses for wide angled shots like group shots. The video capabilities will allow me to do some creative things with video for my clients.

Third, I put on my “business man” hat: 

The camera costs $2699.  I could stand further back from my portrait subject to offset at least some of the advantage of a full size sensor vs. the cropped sensor that I currently own.    Alternatively, I could buy a wider angled lens at substantial less investment than $2699.  Currently,  my wife does all the video in the family and can not get me to even consider using the video camera.  Is this really a feature that I will use?  How long will it take for me to re-coup the $2699 in the business?   I already have invested in lighting equipment so is the high ISO capability more of a “want” than a “need” ?

As you can tell,  one simple potential decision can lead to many questions for consideration.   This is just one example. This analysis and re-analysis occurs over and over with many issues in my business.

Overall the last couple of years, Frank Myers from Sweet Life Photo has been helpful in helping me as a sounding board as consider various things in starting my business.   I truly value him as a mentor and friend. 

Although I have not met his wife Elizabeth in person yet,  I feel I know a little about her by following the Sweet Life Photo blog  on a regular basis.  I find their web site and “Pixel Dust” blog truly inspirational and good models for photographers.    Elizabeth has a talent for making you feel emotional attached to the images that are presented through the blog.  Can you imagine what it is like for the client that she is photographing?

Check out this recent Pixel Dust Blog post (Some of) My favorite un-blogged images from 2008 for some truly inspirational 2008 sweet life photo wedding  images.   As a father, I really enjoyed the one that Frank took of  “Andrea and her father.” Someday, that could be me in the picture when one of my daughters gets married.  Perfect example of capturing the emotion in a photograph.  This is just one of many that caught my eye in this collection. Enjoy!

Tuesday, December 30, 2008

Announcing Plesha's Picks

Over the last several years, I gained much of my photography knowledge through researching photography web sites/blogs,  reading photography books, and consulting with several photographers(mentors).   These various resources have been invaluable to me in my quest to improve my photography skills.  I really do appreciate all the efforts that people make to share their knowledge with the photographer community.  I know I would not have progressed in honing my skills without their support.

Here are some critical  blog resources examples(not inclusive) for my never ending learning process:

I check these resources almost daily for new information to improve my craft.  I started to realize that people running these sites are giving back to the photography community and I was mainly "on the take."(Sort of speak).   This did not seem too fair. 

So,  I am starting a section on this blog called "Plesha Picks" where I will be sharing information about various photography related resources/articles that have inspired and educated me.  This is done in hopes that you may find the same type of inspiration and education.   This is one way to show my appreciation for the effort by individuals to help keep the photography community  "alive and kicking." 

Why are you calling this section "Plesha's Picks" do you ask ? Please ask or at least sound interested in the answer.  :)

Well... it is a tribute to my late grandmother Viola Plesha.  She was definitely a no-nonsense and "slightly opinionated (ya.. right!)" ex-factory worker from Flint,Michigan with  a heart of gold.  She always had an opinion about everything.  Her straight-to-the-point no-holds-barred opinions became famous in our family so much that we started calling them "Plesha's Picks." 

So in her spirit, my  photography resource picks will be called "Plesha's  Picks."  God bless her wonderful soul!!

Please Stay tuned ....  

About This Blog

Steve Jackle is the owner and lead photographer of Triangle Photo Studio which specializes in event and lifestyle family portrait photography in the Raleigh, NC and its surrounding areas. This blog provides insight into his world from a father and a photographic perspective.

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